Bedienungsanleitung ALLEN & HEATH WZ122DX

[. . . ] ALLEN&HEATH MixWizard Series WZ16:2DX / WZ12:2DX Stereo Audio Mixing Consoles USER GUIDE Publication No: AP3429 LIMITED ONE YEAR WARRANTY This product has been manufactured in the UK by ALLEN & HEATH and is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner. To ensure a high level of performance and reliability for which this equipment has been designed and manufactured, read this User Guide before operating. In the event of a failure, notify and return the defective unit to ALLEN & HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRANTY 1. The equipment has been installed and operated in accordance with the instructions in this User Guide 2. [. . . ] Verwenden Sie einen passenden Stereostecker oder einen Y-Adapter mit der Belegung Tip (Spitze)= Send und Ring = Return. 2-Track Replay Plug your 2-track recorder into a stereo return to monitor your recording, or for replay over the PA. The return can also be used for intermission replay from a CD player or similar. 16 Effects Send and Return Set up a post-fade aux mix to send channel signals to an external effects device such as reverb or delay. Return the processed signal to the mix by plugging the device output into ST1 or ST2 stereo return, or into a channel input. These inputs can operate balanced or unbalanced. For a mono return simply plug into the L input leaving R unplugged. The setting of the channel aux send control determines how much effect is added to the signal. WZ16:2DX AND WZ12:2DX USER GUIDE MONO EINGANGSKANAL -30dB 0 30 40 50 60 30 100Hz PAD PAD - Senkt das Eingangssignal um 30dB ab. Drücken Sie diesen Schalter, wenn das Eingangssignal selbst bei zurückgedrehtem GAIN-Regler zu stark ist. GAIN - Zusammen mit dem PAD-Schalter wird hiermit die Eingangsempfindlichkeit des Kanals (60 to +10dBu) eingestellt, um die angeschlossene Signalquelle auf den Betriebspegel des Pultes LR anzupassen. von 0dBuMain Outputs Verwenden Sie die Funktion PFL, um sicherzustellen, daß das Signal These outputs den Pegelmessern zeigt. normalerweise `0' auf are 3-wire balanced XLR operating at a nominal +4dBu to drive professional equipment over long cable runs without interference pickup. You can, however, connect to 2100Hzwire unbalanced equipment inputs by linkingFrequenzen unter 100Hz, (XLRniedrigfrquente LO-CUT FILTER Der Filter dämpft signal - (cold) to ground um pin3 to pin1). Connect Mikrofon-Nahbesprechungseffekte, Gühnengeräusche oder Transportgeräusche zu Geräusche wie to an amplifier of suitable power rating for the venue to drive the PA loudspeakers. Or connect to a 2-track recorder for studio or location recording. Er kann für Sounds mit geringem Bassanteil (wie Gesang) eingesetzt werden. EQUALISER - Er bietet getrennte und gleichzeitige Kontrolle von 4 Frequenzbändern. Jedes Band kann um +/- 15dB verstärkt oder gedämpft werden. Die Mittelposition rastet für leichtere Einstellbarkeit ein. Die Bänder HF und LF haben eine "shelving"-Charakteristik, was bedeutet, daß alle Frequenzen jenseits der Grenzfrequenz (HF = 12kHz, LF = 60Hz) betroffen sind. Mit HF erzeugt man ein Stage Monitor and Cue Sends "Schimmern" oder filtert hohes Rauschen der Klangquelle aus. Mit LF kann man mehr "Druck" bei to Set up a pre-fade aux mix Bass-Instrumenten erzeugen. Zusammen mit dem LO-CUT Filter können Siemonitor or cue mix to the send a die tiefen Frequenzen entsprechend ihren Anforderungen anpassen. [. . . ] Diese können mit der Allen & Heath MixWizard FX Editor Software, die auf einem PC läuft, verändert werden. FX1 Processor Parameter 1 No Name FX Type FX2 Processor Parameter 4 FX Type Key to FX types: Parameter 2 Parameter 3 Parameter 1 Parameter 2 Parameter 3 Parameter 4 Name and Default Range Name and Default Range Name and Default Range Name Default Range units Value units Value units Value and units Value Name and Default Range Name and Default Range Name and Default Range Name and Default Range units Value units Value units Value units Value Single Mode 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Stage Room Hall Plate Chamber Cathedral Arena Gated Rev Karaoke Ping Pong Chorus Slap+Rev Dly+Rev Echo+Rev Ch+Rev Ph+Rev St Ro HA PL Ch CA Ar GA D4 D3 CH D1 D3 D3 CH PH Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Delay Delay s Speed Delay s Delay s Delay s Speed Speed 15 5 35 0 30 65 80 0 4 1. 5 6 0. 1 0. 2 0. 6 30 30 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 1-5 1-99 Decay Decay Decay Decay Decay Decay Decay Decay N/A Depth 0. 1-2 Delay ms 0. 1-2 Delay ms 0. 1-2 Delay ms 0. 1-2 Delay ms 0-99 0-99 Depth Depth 8 8 7 5 9 8 5 7 0 40 20 70 0 15 90 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 0-99 0-40 0-99 0-99 0-99 0-40 0-99 Damping Damping Damping Damping Damping Damping Damping Diffusion Repeats Feedback Delay ms Feedback Feedback Feedback Delay ms Feedback 9 5 8 3 8 7 10 8 10 20 40 0 20 20 10 70 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 0-99% 0-40 0-99% 0-99% 0-99% 0-40 0-97% Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level 90 90 80 80 70 70 70 90 80 90 90 90 90 50 80 90 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 HA HA PL Ar PL Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms 35 35 40 65 30 0-99 0-99 0-99 0-99 0-99 Decay Decay Decay Decay Decay 9 8 10 2 5 1-10 1-10 1-10 1-10 1-10 Damping Damping Damping Damping Damping 7 4 2 7 9 1-10 1-10 1-10 1-10 1-10 Level Level Level Level Level 20 30 20 15 20 0-99 0-99 0-99 0-99 0-99 CH ­ Chorus FL ­ Flange PH ­ Phaser Tr ­ Tremolo Pn ­ Panner RS ­ Rotary speaker PS ­ Pitch shift Dn ­ Detuner D1 ­ Mono delay D2 ­ Stereo delay D3 ­ Ping Pong D4 ­ Karaoke St ­ Stage Ro ­ Room HA ­ Hall PL ­ Plate Ch ­ Chamber CA ­ Cathedral Ar ­ Arena GA ­ Gated RE ­ Reverse Rg ­ Ring Modulator Co ­ Compressor D1 ­ Mono delay D2 ­ Stereo delay D3 ­ Ping Pong D4 - Karaoke Dual Mode 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Stage Room Hall Plate Chamber Cathedral Arena Gated Rev Stage Room Hall Slap Delay Delay Echo Chorus Phaser St Ro HA PL Ch CA Ar GA Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms Pre-dly ms 15 5 35 0 30 65 80 0 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 Decay Decay Decay Decay Decay Decay Decay Decay 8 8 7 5 9 8 5 7 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 Damping Damping Damping Damping Damping Damping Damping Diffusion 9 5 8 3 8 7 10 8 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 Level Level Level Level Level Level Level Level 99 99 99 99 99 99 99 99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 St Ro HA D1 D3 D4 CH PH Pre-dly ms Pre-dly ms Pre-dly ms Delay s Delay s Delay time Speed Speed 15 5 35 0. 1 0. 2 4 30 30 0-99 0-99 0-99 0-1 0-1 1-5 1-99 1-99 Decay Decay Decay Delay ms Delay ms N/A Depth Depth 8 8 7 20 70 15 90 1-10 1-10 1-10 Damping Damping Damping 0-99 Feedback 0-99 Feedback 0-40 Repeats Delay ms 0-99 Feedback 9 5 8 0 20 10 10 70 1-10 1-10 1-10 0-99% 0-99% 1-10 0-40 0-97% Level Level Level Level Level Level Level Level 99 99 99 99 99 99 99 99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 Note that the range values shown need to be converted to the 0-127 MIDI equivalent. 22 WZ16:2DX AND WZ12:2DX USER GUIDE Mögliche Effekt-Typen: Die folgende Tabelle zeigt die verwendbaren Effekt-Typen. Sie können die Werkseinstellungen mit der Allen & Heath MixWizard FX Editor Software auf einem PC wechseln. Parameters FX Type CH FL PH Tr Pn RS PS Dn St St Ro Ro HA HA PL PL Ch Ch CA CA Ar Ar GA GA RE RE Rg Co D1 D2 D1 D1 D2 D2 D1 Description H or W type* H H H H H W H H W H W H W H W H W H W H W H H W H W H H H H H W W W H ID Code 12 14 16 18 20 24 34 36 84 66 86 68 88 70 90 72 92 74 94 76 96 78 62 80 64 82 22 8 46 48 50 52 54 56 58 1 Name Speed Speed Speed Speed Speed Speed Shift Detune Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Predelay Frequency Threshold Delay coarse Delay course Delay course Delay course Delay course Delay course Delay time Range 1-99 1-99 1-99 1-99 1-99 1-99 -12 to +24 -12 to +12 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 1-99 60-0 0-1 0-0. 7 0-1 0-2 0-1 0-2 1-5 Name Depth Depth Depth Depth Depth Type Tracking N/A Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay N/A Ratio Delay fine Delay fine Delay fine Delay fine Delay fine Delay fine N/A 2 Range 0-40 0-40 0-40 0-40 0-40 6 variants 1-3 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-19, inf 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms 0-99ms Name Delay Feedback Feedback N/A N/A X-over freq N/A N/A Damping Damping Damping Damping Damping Damping Damping Damping Damping Damping Damping Damping Damping Damping Diffusion Diffusion Diffusion Diffusion N/A Attack Feedback Feedback Feedback Feedback Feedback Feedback Repeats 3 Range 0-40ms 0-97% 0-97% 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 1-10 0-99% 0-99% 0-99% 0-99% 0-99% 0-99% 1-10 Name Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Level Gain Level Level Level Level Level Level Level 4 Range 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 0-99 -19 to +20 0-99 0-99 0-99 0-99 0-99 0-99 0-99 Chorus Flanger Phaser Tremelo Panner Rotary Spkr Pitch Shift Detuner Stage Stage Room Room Hall Hall Plate Plate Chamber Chamber Cathedral Cathedral Arena Arena Gated Gated Reverse Reverse Ring Modulator Compressor Mono Delay (1 tap) Stereo Delay (1 tap) Mono Delay (2 taps) Mono Delay (1 tap) Stereo Delay (1 tap) Mono Delay (2 taps) Karaoke * W effects können nur iin der Betriebsart "single effects" eingesetzt werden, H effects können sowohl in Singel- als auch Dual-Mode eingesetzt werden. 23 WZ16:2DX AND WZ12:2DX USER GUIDE CUE SHEET Kopieren Sie diese Seite für Notizen zu ihren Mischpult-Einstellungen WZ16:2DX PO WER O N PHANTO M 48V O N -30dB MixWizard -30dB 0 30 40 50 60 30 100Hz PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 PAD 40 50 60 30 100Hz 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD AUX 1 O O GAIN PAD - 10 20 GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz 0 +6 AUX 1 O O +6 0 AUX 2 O O +6 L-R 0 O O +6 0 FACTO RY PRESETS DUAL 1 STAG E 2 RO M O 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 L-R -15 3kHz 1k 700 500Hz 5k 7k 15kHz 1k 700 500Hz + 15 -15 3kHz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz 0 O O +6 + 16 EFFECTS +9 +6 3 HALL 4 PLATE 5 CHAMBER 6 CATHEDRAL 7 ARENA 8 GATED REV MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 1 -15 180Hz 60 45 35Hz 1kHz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 + 15 9 10 11 12 13 14 15 16 BANK +3 0 -3 -6 -9 -12 -16 -20 -30 L R 9 STAG E 10 RO M O 11 HALL 12 SLAP DLY 13 DELAY 14 ECHO 15 CHORUS 16 PHASER 2 3 4 5 6 7 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 8 LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 SELECT 3 2 PRE PFL 4 5 6 7 8 9 0 0 1 1-2 2 SING LE 1 STAG E O 2 RO M 3 HALL 4 PLATE 5 CHAMBER 6 CATHEDRAL 7 ARENA 8 GATED REV 9 KARAOKE 10 PING PO NG 11 CHORUS 12 SLAP+ REV 13 DLY+ REV 14 ECHO+ REV 15 CH+ REV 16 PH+ REV PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE LEV AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 1 10 AUX 1 O O +4 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +4 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 3 3-4 0 AUX 3 O O +4 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 4 0 AUX 4 O O +4 5 0 5-6 6 POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE PO ST PRE PO ST PRE POST PRE POST PRE AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +4 ALL UP = L-R POST PRE AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O PO ST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O PO ST AUX 6 +6 O O POST +4 EFFECTS PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C 0 AUX5 = 1-16 MO DE SING LE DUAL AUX5 = 1-8 AUX6 = 9-16 O O ALT L-R O UT MONO O UT LO CAL MO NITOR L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R + 10 ON PEAK ON PEAK ON PEAK ON PEAK ON PEAK ON PEAK O N PEAK ON PEAK ON PEAK ON PEAK ON PEAK O N PEAK ON PEAK ON PEAK ON PEAK ON PEAK MONO ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! LR 10 PFL 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 5 5 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 WZ16:2DX 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 30 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Notes: 24 WZ16:2DX AND WZ12:2DX USER GUIDE CUE SHEET Kopieren Sie diese Seite für Notizen zu ihren Mischpult-Einstellungen WZ12:2DX PO WER O N PHANTOM 48V ON -30dB MixWizard -30dB 0 30 40 50 60 30 100Hz PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 PAD 40 50 60 30 100Hz 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD 0 30 -30dB 40 PAD AUX 1 O O GAIN PAD - 10 20 GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz GAIN PAD - 10 20 50 60 30 100Hz 0 +6 AUX 1 O O +6 0 AUX 2 O O +6 L-R 0 O O +6 0 FACTORY PRESETS DUAL 1 STAGE 2 ROO M 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 12kHz HF 0 L-R -15 3kHz 1k 700 500Hz 5k 7k 15kHz 1k 700 500Hz + 15 -15 3kHz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz -15 3kHz 1k 700 500Hz + 15 5k 7k 15kHz 0 O O +6 + 16 EFFECTS +9 +6 3 HALL 4 PLATE 5 CHAMBER 6 CATHEDRAL 7 ARENA 8 GATED REV MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 MF1 0 1 -15 180Hz 60 45 35Hz 1kHz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 60 45 35Hz 1kHz + 15 -15 180Hz 300 + 15 9 10 11 12 13 14 15 16 BANK +3 0 -3 -6 -9 -12 -16 -20 -30 L R 9 STAGE 10 ROO M 11 HALL 12 SLAP DLY 13 DELAY 14 ECHO 15 CHORUS 16 PHASER 2 3 4 5 6 7 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 MF2 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 -15 60Hz + 15 0 8 LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF LF -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 SELECT 3 2 PRE PFL 4 5 6 7 8 9 0 0 1 1-2 2 SING LE 1 STAGE M 2 ROO 3 HALL 4 PLATE 5 CHAMBER 6 CATHEDRAL 7 ARENA 8 GATED REV 9 KARAOKE 10 PING PO NG 11 CHORUS 12 SLAP+ REV 13 DLY+ REV 14 ECHO+ REV 15 CH+ REV 16 PH+ REV PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE LEV AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 AUX 1 O O +6 0 1 10 AUX 1 O O +4 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +6 0 AUX 2 O O +4 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 3 3-4 0 AUX 3 O O +4 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 4 0 AUX 5 MixWizard POST PRE POST PRE AUX 4 O O +4 5 0 5-6 6 POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE POST PRE PO ST PRE 0 + -30dB 6 AUX 5 0 +6 AUX 5 0 +6 AUX 5 O -30dB + 6 O 0 AUX 5 O O 0 AUX 5 O O +6 0 AUX 5 -30dB O O 0 +6 AUX 5 O O 0 AUX 5 O O 0 AUX 5 O O +6 0 AUX 5 -30dB O O 0 +6 AUX 5 O O GAIN -5 0 0 AUX 5 10 15 O 20O 5 0 AUX GAIN 5 0 -5 5 10 0 AUX 5 O O +6 0 AUX 5 O O PO WER ON 0 PHANTO M AUX 5 O O +4 PAD O O O O -30dB O O PAD PAD -30dB +6 0 30 40 0 +6 PAD AUX 6 50 60 30 0 30 0 PAD 0 AUX 6 30 -30dB 6 + 40 0 PAD + 6-30dB PAD 40 PAD +6 15 48V O N AUX 6 0 30 40 0 +6 AUX 6 50 0 30 0 AUX 40 6 50 O O 60 30 POST GAIN PAD O O -POST20 10 GAIN 60 30 PAD+ 6 O O PO ST - 10 20 C 50 + 6 PAD O O +6 - 10 20 POST 60 30 C 0 GAIN 0 AUX 630 40 0 AUX 6 AUX 40 6 50 O O 60 30 POST GAIN PAD O O - 10 POST 20 GAIN 0 GAIN AUX 6 0 30 50 +6 60 30 C 100Hz GAIN PAD 6 O O + - 10 20 POST C + 6 PAD O O - 10 20POST C 0 50 PAD O O +6 O O - 10 60 30 POST POST 20 C AUX 6 0 30 GAIN 0 PAD 6 + - 10 20 C AUX 40 6 50 O O +6 0 AUX 6 O O POST -10 0 +6 AUX 6N O 0 +6 AUX 6 O -10 O 20 + 6 +6 ON +6 0 AUX 6 O O 0 +6 FACTORY AUX 6 AUX 1 AUX 6 0 +6 O O AUX 1 +4 POST ALL UP = L-R 0 O O +6 +6 60 30 POST 100Hz C PAN PAN 12kHz C 100Hz PAN 0 100Hz PAN 0 PAN 12kHz C 100Hz PAN 12kHz C GAIN PAN C 0 O O 5 POST 10 O O 100Hz PAN 0 100Hz PAN PAN 12kHz PAN 12kHz 100Hz PAN 0 -5 -10 PAN 20 C 15 GAIN -5 PAN -10 R L 0 POST 5 O O POST POST PRE POST PRESETS O O C +6 10 C 15 20 PAN C DUAL PAN 2 AUX L-R EFFECTS 0 O O +6 R MODE AUX5 = 1-16 SING LE DUAL O O AUX5 = 1-8 AUX6 = 9-16 HF L 12kHz HF HF 0 HF L 12kHz HF 0 HF 0 HF L 12kHz HF 0 1 STAGE 2 ROO M 0 +6 O O 0 ALT L-R OUT MO O NO UT LO CAL MONITO R R L R L R L R R L R L R L R R L R L R L R OL N ON R L 3 HALL 4 PLATE R LL-R + 10 -15 1k ON 3kHz + 15 5k 7k 15kHz ON PEAK -15 3kHz + 15 5k O N -15 3kHz 1k 700 PEAK + 15 O N 5k 7k -15 1k ON 3kHz + 15 5k 7k 15kHz ON PEAK -15 3kHz + 15 5k ON -15 3kHz 1k 700 PEAK + 15 ON 5k 7k -15 1k ON 3kHz + 15 5k 7k 15kHz ON PEAK -15 3kHz + 15 5k 7k O N PEAK ON ON PEAK MONO ! ON PEAK MONO ON 5 CHAMBER 6 CATHEDRAL PEAK ON PEAK 0 +6 MONO PEAK 700 ! 0 ! 1k 700 500Hz PEAK 7k ! ! PEAK 700 ! 0 ! 1k 700 500Hz PEAK 7k ! ! PEAK 700 ! 0 ! 1k 700 500Hz PEAK ! ! 12kHz ! 7 ARENA 8 GATED REV ! ! O O L + 16 R +9 PFL 500Hz PFL PFL 15kHz 0 500Hz PFL 15kHz PFL 500Hz PFL PFL15kHz 0 500Hz PFL 15kHz PFL 500Hz PFL 10 PFL 15kHz 0 PFL 10 MF1 10 10 MF1 10 MF1 10 0 MF1 10 10 MF1 10 MF1 10 0 MF1 10 MF1 HF 0PFL 10 10 + 15 0 12kHz HF PFL 0 10 + 15 PFL PFL 10 EFFECTS 10 9 STAGE 10 +6 +3 5-15 180Hz 60 45 + 15 300 5 -15 180Hz 60 +5 15 300 -15 60 45 35Hz 5 180Hz + 15 300 5 -15 180Hz 60 45 + 15 300 5 -15 180Hz 60 +5 15 300 -15 60 45 35Hz 5 180Hz + 15 300 5 -15 180Hz 60 + 15 300 5 -15 180Hz 60 5 + 15 300 5 -15 MF1 5 -15 10 ROO M 11 5 HALL 12 SLAP DLY 13 DELAY 14 0 ECHO 15 CHORUS 16 PHASER MF1 5 0 5 1 2 3 4 5 6 7 9 10 11 12 13 14 15 16 BANK 50 -3 0 0 1kHz 0 45 35Hz 0 0 1kHz 0 0 1kHz 0 0 0 1kHz 45 35Hz 0 0 1kHz 0 0 1kHz 0 45 35Hz 1kHz 0 0 45 35Hz 0 0 1kHz 0 35Hz 35Hz -15 + 15 0 0 -15 0 0 + 15 0 0 -6 -9 MF2 5 MF2 MF2 MF2 MF2 MF2 MF2 MF2 MF2 MF2 5 -12 -16 -20 SINGLE 60Hz 10 LF -15 0 + 15 10 LF -15 0 + 15 10 -15 60Hz 60Hz LF 10 0 + 15 60Hz 10 LF -15 0 + 15 10 -15 60Hz + 15 0 LF 10 -15 60Hz LF 10 0 + 15 60Hz 10 LF -15 0 + 15 10 -15 60Hz + 15 0 -15 + 15 0 -15 60Hz + 15 0 10 LF 10 10 LF 10 60Hz LF 10 1 STAGE M 2 ROO 3 HALL 4 PLATE 10 8 10 -30 L R WZ16:2DX 7 8 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 -15 + 15 5 CHAMBER 20 PRE 20 PRE 20 PRE 20 20 PRE 20 PRE 20 20 PRE 20 PRE 20 PRE 20 20 PRE 20 PRE 20 20 6 CATHEDRAL 7 ARENA 8 GATED REV 9 KARAOKE 20 SELECT 3 2 PRE PFL 20 4 5 6 LEV AUX 1 30 O O +6 0 AUX 1 30 O O 0 30 +6 AUX 1 30 O O +6 0 AUX 1 30 O O +6 0 AUX 1 30 O O 300 +6 AUX 1 30 O O +6 0 AUX 1 30 O O +6 0 AUX 1 30 O O 30 0 +6 AUX 1 30 O O 0 30 +6 AUX 1 30 O O +6 0 30 CHORUS 11 NG 10 PING PO 12 SLAP+ REV 13 DLY+ REV 30 1 0 0 +4 1 1-2 2 AUX 1 30 10 9 AUX 2O O O O +6 0 O2 O AUX O O O O +6 0 AUX 2 O O O O +6 0 AUX 2O O O O +6 0 O O AUX 2 O O O O +6 0 AUX 2 O O O O +6 0 AUX 2O O O O +6 0 O O AUX 2 O O O O +6 0 O2 O AUX O O 0 O O +6 AUX 2 O O O O +6 0 O O V 14 ECHO+ RE 15 CH+ REV 16 PH+ REV OO OO O O AUX 2 O O +4 AUX 3 0 +6 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 AUX 3 O O +6 0 3 3-4 0 Notes: O O AUX 3 O O +4 AUX 4 0 +6 POST PRE AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 AUX 4 O O +6 0 4 0 O O AUX 4 O O +4 5 0 5-6 6 POST PRE POST PRE PO ST PRE PO ST PRE PO ST PRE POST PRE POST PRE POST PRE POST PRE AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +6 0 AUX 5 O O +4 0 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST 0 +6 AUX 6 O O POST ALL UP = L-R 0 +4 POST PRE PAN C PAN C PAN C PAN C PAN C PAN C PAN C PAN C BAL C BAL C AUX5 = 1-16 EFFECTS MO DE SINGLE DUAL AUX5 = 1-8 AUX6 = 9-16 O O 0 ALT L-R O UT MO OUT NO LOCAL MONITOR L R L R L R L R L R L R L R L R L R L R + 10 O N PEAK O N PEAK O N PEAK O N PEAK O N PEAK ON PEAK ON PEAK O N PEAK O N PEAK O N PEAK MO NO ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! PFL ! 10 L 10 R PFL 10 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 0 0 5 5 5 5 5 5 5 5 5 5 5 5 10 10 10 10 10 10 10 10 10 10 10 10 WZ12:2DX 20 20 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 30 30 25 O O O O O O O O O O O O O O O O WZ16:2DX AND WZ12:2DX USER GUIDE O O O O O O O O DUAL STEREO DUAL STEREO Anwendungs-Beispiele Kirchen · · · · · · Musik Publikumsbeschallung (FOH) mit der LR Hauptmischung Gemeinde- PA mit Delays aus dem ABAusgang Auxwege 1-4 sind Monitore für Musiker und Chor Auxwege 5/6 werden als interne Effektsends verwendet ST2 ist ein Eingang für ein Bandmaschine Der Tiningenieur kontrolliert mit dem Kopfhörer-Ausgang Bühnenmonitor: · · · · · · · · Es sind bis zu 6 Bodenmonitore möglich 4 Bodenmonitore werden durch Aux 1-4 gesteuert Stereo "in-ear" Monitormischung kommt von LR Toningenieur-Bodenmonitor wird über AB Ausgang versorgt Der Toningenieur-Bodenmonitor sollte denen der Musiker ähnlich klingen Monitorschalter kontrollieren den Bühnensound Aux 5 und 6 werden als interne Effektwege verwendet Effekte gehen über ST1 zu den Monitorwegen Kleine Theater: · · 26 Haupt Publikumsmischung kommt aus der LR Mischung Auditorium-Zusatzlautsprecher werden von AB versorgt WZ16:2DX AND WZ12:2DX USER GUIDE · · · · · · Das AB-Signal wird für bessere Verständlichkeit verzögert Wiedergabe von CD in den Pausen erfolgt über den ST2-Eingang Bühnen- und Orchestergraben-Monitore kommen aus Aux 1-2 2-Spur-Stereomitschnitt erfolgt über Aux 3-4 Interne Effekte, gesteuert über Aux 5-6 Der Toningenieur hört über die Kopfhörermischung ab 27 WZ16:2DX AND WZ12:2DX USER GUIDE OPTIONEN Die Mischpulte MixWizard Series WZ16:2 und WZ12:2DX haben eine flexible Architektur, die entworfen wurde, um auch ohne Änderungen die meisten Ansprüche von Live-Mischungen und Aufnahmeanwendungen erf¨llen zu können. 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