Bedienungsanleitung CASIO PRIVIA PX-320 midi implementation

[. . . ] PX-320 MIDI Implementation CASIO COMPUTER CO. , LTD. Contents Part I 1 1. 1 1. 2 1. 3 1. 4 MIDI Message Overview System Section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Performance Controller Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Auto Accompaniment and Auto Performance MIDI Send . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Sound Generator Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Also note that receipt of this message may also change the Timbre Type parameter at the same time. For more information, see "11. 1 About the Timbre Type" below. 11. 1 About the Timbre Type The tone selected by each part of this Instrument has a "Timbre Type" parameter that specifies the type of sound source for the tone. As explained under "22. 1 Basic Parameters", there are three Timbre Type settings: Melody, Piano, and Drum. The following explains how each of these operates. · · Timbre Type: Melody This timbre type optimizes for normal melody tones. It performs damper pedal on/off operation. Timbre Type: Piano This setting optimizes for piano tones. The decay rate of the voice being sounded and Acoustic Resonance effect characteristics are continually altered in accordance with the damper pedal position. Timbre Type: Drum This setting optimizes for drum sounds. The damper pedal does not function. · 11. 2 11. 2. 1 DSP Assignments During Tone Selection DSP Line Structure Though the Instrument has four DSP lines that can be used simultaneously, selecting a tone that uses DSP causes the required number of DSP lines to become reserved so the tone is configured with the requisite DSP. Tones listed under "26. 1 Monaural Tone DSP" use only one DSP line, while the tones under "26. 2 Stereo Tone DSP" use two DSP lines. For information about tones that use DSP, see "25 Tone with DSP List". 11. 2. 2 DSP Line Assignment Selecting multiple tones with DSP at the same time creates the possibility that there will not be enough DSP lines. In this case, the last selected tone with DSP is given priority. Some DSP line(s) already being used will be released so they can be assigned to the last selected tone. 19 11. 2. 3 Use of the Same DSP Line by Multiple Parts When multiple parts that select tones that use DSP and all of the following settings are the same, the same DSP line is assigned to all of the parts in order to maximize DSP line availability. · · · · Tone Number Part Volume Part Pan All DSP parameters After the same DSP line is assigned to different parts as described here, Part Volume, Pan, Reverb Send, Chorus Send, Acoustic Resonance Send, and all DSP parameter settings are common to all parts. Note that changing the settings on any part will also affect all of the other parts that are sharing the DSP line. To assign the parts to a different DSP line, you need to change one of the parameters listed above before selecting the tone. 12 Format Channel Aftertouch Message Format: DnH vvH n: MIDI Channel Number vv: Value Send These messages are never sent. Receive Receipt of this message adds modulation to the voice that is sounding. The modulation effect differs according to the tone being used. 13 Format Pitch Bend Message Format: EnH llH mmH n: MIDI Channel Number ll: Value LSB mm: Value MSB Send These messages are never sent. Receive Receipt changes the pitch of the currently sounding note. The change depends on the pitch bend sensitivity configured with RPN. 20 Part III System Messages 14 Format Message Format: FEH Send This message is never sent. Receive Once this message is received, the Active Sensing mode is entered. [. . . ] When the Instrument's Master Fine Tune setting is changed, this parameter is reset to the Master Fine Tune value. Note 2: Changing this parameter performs a Damper Pedal operation on System Acoustic Resonance. When the Damper Pedal parameter of the part being used by System Acoustic Resonance is manipulated, this parameter is reset to the manipulated Damper Pedal depth. Note 3: The value is set when the damper pedal is completely released. [. . . ]